Yesterday as we drove into the Rocky Mountains, I was particularly struck by the yellow fire.
It lit up the tops of the Aspens as they flamed above the dark green pines and blue-green furs. Gorgeous fall-infused yellow, lovely golden-yellow, perfect round leafed-yellow, pale-yellow, sunshine-yellow.
Some of the Aspens were light green at the base, that flowing up into pale-yellow, that transforming here or there at the tops of the trees into sunset yellow and faded-orange.
By way of contrast, we see.
One thing juxtaposed beside another, nature’s palate, a wonderland of extremes, one thing not another, one thing becoming another.
Colorado in the fall is blue sky, turning grey; green forest, turning yellow.
The Aspens seem to thrive on contrasts, their trunks soft bark-white, with back splotches and thin black horizontal lines marking them up. It’s an artist’s dab and artisan’s fine-brush stroke.
Black, white; forest, framed; free, bound; poor, less poor; lovey, more-so; faithful, not-so-much — one world, many contrasts.
I’m getting okay with this.
I am like you, but not like you, and more-and-more I like you. It’s mind expanding. I am able, we are able — by means of acute social ambling and oblique relational bumbling to get on down the path of experience and begin to see better.
We are able — aided by the brand of specialized humility that comes by being cracked wide open like a nut by brutal-beautiful life — to accept different, to like different, to thrill to different, to honor different, to see better by means of different.
This is good, this is better, this is best.
By means of contrast, we thrill.